Showing posts with label Lou Brock. Show all posts
Showing posts with label Lou Brock. Show all posts

Sunday, August 14, 2011

The Forgotten Man: Remembering Curt Flood

I’m a child of the sixties, I’m a man of the sixties. During that period of time this country was coming apart at the seams. We were in Southeast Asia. . . Good men were dying for America and for the Constitution. In the southern part of the United States we were marching for civil rights and Dr. King had been assassinated, and we lost the Kennedys. And to think that merely because I was a professional baseball player, I could ignore what was going on outside the walls of Busch Stadium. . . All of those rights that these great Americans were dying for, I didn’t have in my own profession. – Curt Flood
In the summer of 1967, when I was eight years old, baseball grabbed my soul and the St. Louis Cardinals captured my loyalty. Like any young boy with a love of the national pastime, I had my favorite players, Lou Brock, Bob Gibson, Curt Flood and Orlando Cepeda. These were the players I imitated in my backyard and whose box scores I checked each morning. The Cardinals were a colorful, exciting team in the late sixties, a racially mixed band of brothers who played together in America’s Heartland. Today, when people ask me how a kid from New Jersey who never lived within 1,500 miles of St. Louis became a lifelong Cardinals fan, I invariably explain that, long before anyone informed me that one was supposed to root for the home team, I fell in love with the birds on the bat, the bright red and white classic uniforms, which looked especially good on the speedy Brock, the agile Flood, the athletic Gibson, and the powerful Cepeda.

In the first week of October, at the start of the third grade, I rushed home from school each afternoon to watch the Cardinals play the Red Sox in the 1967 World Series. When Gibson recorded the final out in Game Seven and his teammates mobbed him on the field in celebration of a World Championship, I was forever hooked, permanently embedded in the soul of Cardinal Nation.

The next year, the Cardinals again dominated play in the National League and made it to the World Series for a second consecutive season. My passion for the game and my favorite team became more deeply entrenched. It was then that I took notice of Curt Flood. Although I did not yet realize it, history would mark Flood as the most interesting and complex of the men included among my favorite players.

A quiet, lesser known star, small in stature, only 5’7” and skinny, a fun player to watch, Flood combined speed and agility, a masterful glove, and a quick bat. Hitting behind Brock in the Cardinals lineup to form a speedy one-two leadoff punch that wreaked havoc on opposing teams, Flood batted .301 in 1968, the Year of the Pitcher, when the league average was a mere .236. But it was Flood’s defense that set him apart. He climbed outfield walls and robbed opposing players of home runs and extra base hits. He closed outfield gaps and chased down floating bloopers that fell for singles against less skillful center fielders. His outfield play resulted in seven consecutive Gold Glove awards and, before season’s end, Sports Illustrated deemed Flood “baseball’s best centerfielder.” Flood’s stellar performance that year helped lead the Cardinals to a second consecutive National League Championship. Ironically, it was Flood’s misplay of a fly ball in Game Seven of the 1968 World Series against the Detroit Tigers that led to the Cards’ defeat.

I remember coming home from school, anxiously anticipating the game and hopeful that the Cardinals would repeat as World Champions. Gibson was on the mound, pitching another of his post-season masterpieces, having retired 20 of the first 21 batters he faced. In the bottom of the seventh inning, with two outs and two on, the score tied 0-0, Gibson fired a strike to Jim Northrup, who smacked a line drive into center field, seemingly in Flood’s direction and a ball he normally tracks down easily. But on this October afternoon, the sure footed Flood misjudged the ball, moving a few steps in before realizing the ball was sailing over his head. He quickly changed direction, then lost his footing on the slippery turf (it had rained the night before), as the ball sailed past his outstretched arms and onto the warning track. Two runs scored as Northrup hustled into third base with a triple. Bill Freehan followed with a double and, just like that, the Cards trailed 3-0. Gibson allowed another run in the eighth and, despite a Mike Shannon home run in the bottom of the ninth, the Tigers went on to win the game 4-1 to become the new World Champions. I was devastated.

Afterwards, some Cardinals’ fans and members of the press blamed Flood for the loss. If only Flood had caught Northrup’s fly ball, they said, the game’s outcome would have been different. Asked after the game if he blamed Flood for the loss, Gibson said, “If Curt Flood can’t catch that ball, nobody can. I’m certainly not going to stand here and blame the best centerfielder in the business.” But baseball, like life, can be cruel to those who fail. Flood would later admit that he never really got over his misplay.

Socially and politically, 1968 was a pivotal year in American history, and it marked the start of my political consciousness. I became increasingly aware of the world around me – the raging war in Vietnam, images of American soldiers coming home in body bags, civil unrest on America’s campuses, the assassinations of King and Kennedy, riots in American cities, growing racial hostility, and a nation bitterly divided. America grew up in 1968 and would never again be the same.

As a young boy, baseball was a reprieve from the messy reality of everyday life, the pressures of school, of trying to fit in, of the anxieties of adolescence. The majestic cathedrals of diamond-shaped fields, of grass and dirt and symmetry, of hot dogs and Cracker Jack and men playing a boys game, provided an innocent escape and an oasis of solace in a fast-paced, ever changing world. Even today, a baseball game in the background or a night at the ballpark presents a reminder that not all of life’s challenges need be resolved immediately.

So, when at the end of the 1969 season, the Cardinals announced they had traded Curt Flood to the Philadelphia Phillies and he refused to go, a breach encumbered that invisible line of innocence dividing baseball and politics. My first reaction was disappointment, not that Flood refused the trade, but that the Cardinals would trade the league’s best centerfielder and one of my favorite players. I really did not understand Flood’s stand; I knew nothing of the reserve clause or the concept of free agency. All I knew was that one of my favorite players would no longer be on the Cardinals and might not even remain in baseball. It was all too much for me to absorb.

In fact, Flood rejected the trade and threatened to leave baseball for good rather than be forced against his will to play for a team that he did not want to join (at that time, Philadelphia had a reputation as a difficult city for a black player). He believed fundamentally that the inequities to the players in baseball’s reserve system, which essentially tied each player to one team for life to be released or traded at the owner’s discretion, were too great. As Flood wrote to Commissioner Bowie Kuhn when he refused to report to the Phillies, “After 12 years in the major leagues, I do not feel that I am a piece of property to be bought and sold irrespective of my wishes. . . . Any system that produces that result violates my basic rights as a citizen and is inconsistent with the laws of the United States.”

Flood sued Major League Baseball and challenged the reserve clause, contending it was illegal and made possible only by baseball’s exemption from the antitrust laws. This exemption applied to no other business or sport and was a relic of a Supreme Court decision authored by Oliver Wendell Holmes in 1922, which most legal experts believed was fundamentally illogical and flawed. But overturning a Supreme Court precedent is extremely difficult, and Flood was warned by his attorneys and by Marvin Miller, the head of the Major League Players’ Association, that he would likely lose his legal challenge and jeopardize his baseball career. As a 32 year-old ballplayer, among the best in the game and paid handsomely (he made $90,000 in 1969, well above the league average in those days and many times more than what the average American worker made), he had a lot to lose. But he felt that, even if unsuccessful, he could at least expose a system he believed morally corrupt.

Flood later acknowledged that the color of his skin made him especially sensitive to the inequalities of the reserve system, to which he had become increasingly aware during the second half of the 1960’s as rising black consciousness began to influence African Americans, including himself, across the country. But he insisted that his legal action was not motivated by race and that he was prepared to risk his career as a ballplayer on behalf of other players. “What I really want . . . is to give every ballplayer the chance to be a human being,” he told one reporter, “and to take advantage of the fact that we live in a free and democratic society.”

Flood publicly equated the reserve system to a form of slavery. “A well-paid slave is nonetheless a slave,” he said. For black ballplayers, the reserve system was a subtle reminder of what had been done to their grandparents and great grandparents. But it was difficult for most fans to feel great sympathy for Flood. He was ridiculed as a $90,000 a year slave. He quickly found himself alone, without a job and no longer playing the game he loved. Worse, he was a black man challenging America’s national pastime. He received hate mail spewed with racial epithets. But most disappointing to Flood was the fact that he received virtually no support from active players. Even Bob Gibson, Flood’s best friend and former roommate, remained publicly silent about Flood’s efforts. As Gibson acknowledged years later, “I had a career to protect and a family to support, and I wasn’t willing to risk all that.”

The personal toll on Flood was substantial. He ran out of money and lost his businesses. Embroiled in financial and legal troubles at home, he fled to Denmark. There, Flood found temporary solace and resumed painting (Flood was a talented artist), but for the first time in his life, he was a man without a country. He drank heavily and suffered from bouts of depression. He lost contact with his five children, and though he would try to re-connect with them later in life, the damage was done.

Back in the states, a federal judge rejected Flood’s legal challenge to baseball’s reserve clause and, while the case was pending appeal, Flood found himself in more legal trouble, as several lawsuits were filed against his failing businesses. The financial pressures proved too much. The next year, Flood relented and signed a contract with the Washington Senators. But the time away from baseball – he missed the entire 1970 season – and drinking, smoking, and womanizing had taken their toll. His skills had diminished substantially, and the damage was palpable. On April 27, 1971, just three weeks into the regular season, Flood retired from baseball for good. He wrote a note of apology to his teammates and, without any notice, boarded a plane for Spain.

Although the United States Supreme Court agreed to hear Flood’s case, on June 19, 1972, the Court ruled in baseball’s favor, refusing to overturn Justice Holmes decision of 50 years earlier. Flood had lost his fight with baseball.

Flood was a virtually forgotten man, living anonymously in Spain. He ran a pub called The Rustic Inn. Behind the bar were displayed one of his old bats and his baseball glove. In Spain, people did not know much about him and no one asked any questions. But he continued to drink and eventually ran into trouble with the Spanish authorities, abandoned his bar and moved to Andorra, where he worked as a carpet layer. He later moved to Puerto Rico and the Dominican Republic before returning home to Oakland in 1976.

When Flood returned home, he found that baseball had changed dramatically. Through the efforts of Marvin Miller and the players’ union, the owners agreed to allow free agency for players with six or more years of playing time. By the time Flood returned to the United States, some players had been awarded million dollar contracts with multi-year deals and no-trade clauses. For the next two decades of Flood’s life, he observed other players benefit from the fruits of his sacrifice. The only person who had lost, it seemed, was Flood himself.

As a ten year-old boy, I did not fully appreciate or understand the significance or even the motivations of Flood’s refusal to be traded to the Phillies. I recall hearing talk that players should not be “owned” and forced to play for a team that they did not wish to play for, but I failed to understand that Flood’s stand was one of principle, influenced in part by the increased black consciousness of the Sixties and the civil rights era, the Black Power movement, and the principles of American democracy. A soulful, sensitive and intelligent man, he got along easily with most everyone and, like Martin Luther King Jr., whom Flood idolized, he judged every man and woman by the content of their character. But like most of the black players that made their way up the ranks of major league baseball in his era, Flood had experienced severe racism, especially in the mid-1950’s when he played for minor league teams throughout the south, where the black players were not allowed to stay in the same hotels, or eat at the same restaurants, as the white players. It was an unending list of humiliations and degradations that only a black man living in America under those circumstances could fully appreciate.

Had I been in Flood’s shoes in 1969, I would have taken the easy, non-confrontational route, like every other major league player. As a fan, I wish I could have seen Flood play baseball for a few more years in his early thirties. But I finally understand better why he felt it necessary to take this unpopular stand. As Marvin Miller told author Alex Belth in Stepping Up: The Story of Curt Flood and his fight for Baseball Player’s Rights (Persea Books, 2006), Flood was not only a superb ballplayer and great teammate, he was “someone who thought about social problems and about injustice and who was willing to sacrifice a great deal to try and change things.” He was “a genuine role model” and a man of “integrity.”

Like most men and women of history, Flood was personally flawed. He was a neglectful father, a poor husband, a failed businessman; he drank too much and found it easier to run to Europe to paint portraits at sidewalk cafes than face his problems at home. I can no longer view Curt Flood through the eyes of a ten year old boy, who thrilled at seeing Flood climb the outfield wall and rob an opposing player of a home run. With the benefit of history and five decades of life, I can now remember Flood as a great player who sacrificed some of his best years to correct a perceived injustice and as a man willing to give up everything, rightly or wrongly, to accomplish what he thought was fair and proper. In this respect, he was a rare man indeed.

Sunday, February 20, 2011

The End of Winter

Don't tell me about the world. Not today. It's springtime and they're knocking baseballs around fields where the grass is damp and green in the morning and the kids are trying to hit the curve ball. ~Pete Hamill
Pitchers and catchers reported a week ago. The “regulars” rolled in just the other day. In Arizona and Florida, at least, spring has officially started. For those of us restricted to northern terrains, a sunny day and a picture of young men tossing long-ball will suffice. Baseball is as much about imagination as reality, allowing grown men to overcome abandoned dreams and to be transported in time to the simpler days of youth. For baseball fans, spring is when the cool winds of March and the smell of a leather glove awaken in the senses the hope of new beginnings, when every team is a contender. This year is no exception.

Winter in Philadelphia lingers as the last remnants of snow refuse completely to disappear, the sun’s rays meekly penetrating the cold air. Although nature bequeathed us a day or two of softness, a February flirtation with the gentle touches of spring, the winds quickly strengthened in intensity and the temperatures dropped once again, permitting us to escape the harsh chill of winter only in the daily reports of the Grapefruit and Cactus Leagues.

My normal excitement level for the start of spring training and anticipation of a new season has been tempered this year by a reminder of the darker, business side of baseball, talk of money and contracts, revenue and payrolls. I speak particularly of the Albert Pujols contract negotiations, which for Cardinals fans is the source of sleepless nights and intestinal distress. For those of you living on the planet Zortec, let me explain. Pujols is in the last year of an eight-year, $111 million contract. If the Cardinals cannot find a way to sign him to a new deal by the end of this season, he becomes a free agent and the Cardinals, a team of moderate wealth and a payroll that befits its Midwestern television market, will have to compete potentially with every team in the Major Leagues to bid on his services. That means that the Yankees, the Red Sox and, God forbid, even the Cubs, will legitimately be allowed to offer Pujols any amount of money they are willing to dish out to lure him to their team. Some might call that free enterprise. I call it Armageddon.

Being a fan requires certain fortitude and a willingness to endure pain and heartbreak. Only true fans can really understand this. When everyone else says, “Grow up” or “Get a life”, we just shake our heads with the knowledge that the non-fan lacks discernment. A true fan connects to a team the way one connects to immediate family; we are wrapped up in our team’s identity, its players form part of our secret inner circle. I can criticize a player on my team, but if a Phillies fan knocks my second baseman, they just may find extra spices in their cheese steak, if you catch my drift. The star players, of course, are extra special, for they disappoint us less and provide us with the hope of a winning season and the dream of a championship. The longer a star player remains with us, the more we identify with him.

I became a Cardinals fan in the spring of 1967, when I was eight years old. Yes, I know, I am from New Jersey. It is simple really. My second grade class was studying the many different species of birds. Always one to choose favorites, I took an immediate liking to the cardinal, lured by its magnificent, bright red coat and distinctive black trim. There was simply no other bird like it. As it happens, my ornothological studies coincided precisely with when I fell in love with baseball. I had started to play the game with my older brother and his friends and learned that baseball and me were a natural fit. I quickly became consumed by it. When that summer I discovered the St. Louis Cardinals and the “birds on the bat” that adorned their uniforms, I was an immediate fan. Soon I was following my favorite team and my favorite players – Orlando Cepeda, Lou Brock, Bob Gibson, Curt Flood, Mike Shannon, and Tim McCarver – colorful players who lit up a ballpark with their grace and athleticism. The bond permanently cemented in the fall of 1967 when the Cardinals won the World Series; I was forever hooked. (Only years later did I discover that it was somewhat frowned upon to root for anyone other than the home team. I have finally stopped looking surprised when someone asks me, “Are you from St. Louis?” after confiding my team loyalties.)

To this day, I identify the Cardinals of my youth with Lou Brock and Bob Gibson. Although the surrounding cast occasionally changed, especially since the advent of free agency, Gibson, like Stan Musial before him, was a Cardinal for life. So was Mike Shannon, who still does the play-by-play more than 40 years later on the Cardinals’ radio network. Brock, who the Cardinals acquired from the Cubs in 1964, remained a Cardinal until he retired in 1979. I can still recite the daily lineup card for the Cardinals teams of the late 1960’s and early 1970’s. At the age of eleven, I started playing Strat-O-Matic baseball, an extremely realistic, statistic-based board game, played with dice and individual player cards formulated from the previous season’s statistics. I “managed” eight straight 162-game seasons of Cardinals games, keeping box scores and calculating the season’s at bats and innings pitched, hits, runs, RBIs, walks and strikeouts, batting averages and earned run averages. To this day, I can compute batting averages in my head. I spent more time in study hall writing out that day’s lineup card and studying my team’s statistics than I did doing homework. Hmmm. Perhaps this is why I did not attend an Ivy League college, or why I wince when asked about the works of William Shakespeare. I mean, what was his batting average?

More than four decades hence, you must forgive my indulgence, then, of Albert Pujols. When a player is as uniquely talented and identified with one team as Pujols, it takes a bigger man than me to resist the need for common sense and patience in something as mundane and legalistic as a long-term contract. There is something a little disconcerting about the business of baseball. I am a fan because, for 2 ½ hours each night, baseball reminds me of what life was like when I was twelve, when the most important event was how the Cardinals did against the Mets. I did not know or care about the players’ salaries, or how much money the team made in a given season. I knew nothing of television royalties, ticket sales and merchandise revenues. I paid little attention to union disputes and work stoppages. It was the game and what it represented, devotion to a team and identification with its players, which captured my imagination.

I understand that the Cardinals must protect the future of the franchise. Pujols is 31 years old. He will turn 32 before season’s end, when his present contract expires. According to unsubstantiated reports, Pujols and his agent have asked for a contract in the range of 10 years, $300 million. The Cardinals reportedly offered Pujols somewhere in the neighborhood of $200 million over nine years, plus an equity interest in the team for life. Cardinals’ management is naturally reluctant to commit 30% of their payroll for ten years on a player who, in six or seven years, will be in the twilight of his career. The Cardinals would likely agree to pay him $30 million a year for five or six years, but they do not want to be tied into a deal that pays even a player as great as Prince Albert upwards of $30 million a year when he is 39, 40, and 41 years old. Pujols is a great player, and there is no reason to believe he will not continue to be among the best players in baseball for the next several years. But even the great ones do not play at 39 the way they played at 29.

I cannot justify the amount of money we are talking about here. And yet, despite my past moralizing over the inequality of income between the rich and the poor in the United States, when it comes to baseball you can dismiss all talk of economic justice, morality and politics. There is really only one consideration. Do what it takes to win! Pujols is a once-in-a-lifetime player. His first ten years are matched historically only by Ted Williams and Joe DiMaggio. In ten seasons, Pujols has accumulated 1,900 hits, 408 home runs, 1,230 RBIs, 1,186 runs, 426 doubles, and 914 walks (compared to only 646 strikeouts). Divide each number by ten and you have pretty close to what he has done each season. He is that consistent. He has a career batting average of .331 and an on-base percentage of .426. He has never batted below .312, has never knocked in less than 103 runs, has never scored less than 99 runs. He has twice won the Gold Glove Award for his superb defensive play at first base. By all accounts, he is a great teammate and clubhouse leader.

The famous actress, Tallulah Bankhead, once said, “There have been only two geniuses in the world. Willie Mays and Willie Shakespeare.” I don’t know about Shakespeare (see above), but Albert Pujols must be added to the list. If the Cardinals do not sign Pujols and make him a Cardinal for life, I dread the amount of therapy that will be needed to restore my sanity. All of Cardinal Nation will be on Prozac. I know that it will take a lot of money to sign El Hombre, and I hope he means it when he says he wants to remain a Cardinal for life. But if somehow it doesn’t work out, if Prince Albert someday betrays Cardinal red, it will induce panic-stricken psychosis in the annals of Cardinalville. He is the franchise. He is the St. Louis Cardinals.

Perhaps it is as simple as what one Cardinal fan recently advised Bill DeWitt, Jr., the Cardinals' owner, in an email to ESPN's Mike and Mike in the Morning, “He wants it. You have it. Give it to him.” I really do not know what to think about it all. In my moments of dispassion and sanity, I can understand the reluctance to give away the store. Then the fan in me takes over, and I don’t want to hear about contracts and money and long-term revenue projections. For the past six weeks, I have awakened each morning with the hope that the headlines would read, “Cards Sign Pujols for Life.” So I have stopped trying to think about it, and will focus on the game and prepare for another long and beautiful season, when my childlike fascination with baseball and the Cardinals will overtake all the messy details of life.

Ernie Harwell, the longtime announcer for the Detroit Tigers, once said, “Baseball is just a game as simple as a ball and bat. Yet, as complex as the American spirit it symbolizes, it is a sport, a business, and sometimes almost even a religion.” As a rational man with a sense for business and economics, I understand the arguments on both sides of the Pujols contract negotiations. But as a Cardinals fan, I simply cannot comprehend life without Pujols.

Most Popular Posts in the Last Year