![]() |
| Buck O'Neil in his later years (Photo: AP/The Spokesman Review) |
I have admired many baseball players over the course of my life, players whose skills on the ballfield were so advanced and refined that watching them was like observing a great artist at work. I loved watching Lou Brock run the bases and Ozzie Smith make acrobatic plays at shortstop. At twelve years old, I saw Steve Carlton pitch during his greatest season ever, when he won 27 games for a last-place Phillies team that only won 59 games all season. A few years later, I admired Hank Aaron effortlessly hit soaring line drives over the outfield wall during batting practice before a game in Philadelphia. Twice in the late 1990s, I saw Mark McGwire hit three home runs in one game, and I witnessed in person ten of his career home runs. There are so many others over the years—Molina and Pujols, Ichiro and Ripken, Jeter and Gwynn. For all the flaws and shortcomings of baseball, it is the grace, beauty, and artistry of the players that compel us to love the game and keep us coming back for more.
But there are certain players in
baseball history, just as there are a few special people in history, that I wish
I could have spent some time with. Thirty minutes and a cup of coffee, a chance
to ask a few questions, to learn from and connect with, if only for a moment.
Buck O’Neil was one of those people.
O’Neil died in 2006, at the age
of 94. Although I never met O’Neil, like millions of other Americans, I first
became aware of him by watching Ken Burns’ Baseball documentary on PBS
in the early 1990s. O’Neil appeared on many of the ten episodes in that series
and his presence helped make the documentary as grand and meaningful and moving
as any film ever made about our national pastime.
O’Neil’s bright and shining
personality burst through on Baseball, along with his optimism and
hopeful air, and his stories and insights were a highlight of the entire
series. His love for the game, for people, for life itself, radiated from his
personality. A kind and wise man, he saw America in all its glory even while
experiencing first hand its tragic struggles with racial injustice,
discrimination, segregation, Jim Crow, and the exclusion of an entire race of
men from the Major Leagues.
As the talented chronicler of
baseball, Joe Posnanski, wrote in The Soul of Baseball: A Road Trip Through Buck O’Neil’s America (Harper, 2007), O’Neil’s “optimism never
failed him. Hope never left him. He always found good in people.” Early in the
book, Posnanski tells of sitting in the stands with O’Neil at a game in Houston.
At the end of one inning, the Houston right fielder threw a ball into the
stands as he was leaving the field. The ball headed in the direction of Posnanski
and O’Neil, landing a few rows in front of where they were seated. A young boy of
about ten or eleven and a taller man in his thirties both reached for the ball.
The tall man, of course, caught the ball and immediately held up his hands as
if he single-handedly won the game for the Astros. The young boy sat back down
in his seat with a disappointed look on his face.
Posnanski seethed with anger and
said, “What a jerk!” O’Neil asked him what was wrong, and Posnanski explained,
“That guy down there caught the ball and won’t give it to the kid sitting right
behind him.” O’Neil looked towards the seats and saw the man gleefully showing
all his neighbors the ball as if he had heroically caught it.
“Don’t be so hard on him,” O’Neil
said. “He might have a kid of his own at home.” Posnanski was temporarily humbled.
A few minutes later, Posnanski thought again and declared, “Wait a minute. If
this jerk has a kid, why didn’t he bring the kid to the ballgame?” O’Neil
smiled. “Maybe, his child is sick,” he replied. Yes, Buck O’Neil always found,
or at least hoped for, the good in people.
O’Neil was 93 years old when
Posnanski traveled the country with him. Buck had lived through a volatile
century of American life. He had experienced rejection and denial, restaurants
that would not serve him, gas stations that would not allow him to use their
bathrooms, hotels that would not accommodate him. And yet, he never let
bitterness or anger show its hand. O’Neil forgave more easily than others did.
Although he was an excellent player in the Negro Leagues, a slick fielding,
good hitting first baseman who once won a batting title, he was never allowed to
play in the Major Leagues. Talent was not the issue. Only the color of his skin.
O’Neil also was one of the best
managers in the history of the Negro Leagues, managing the Kansas City Monarchs
to several pennants from 1948 to 1955. But he never got to manage in the Major Leagues.
Although he would become a scout and later a coach for the Chicago Cubs—the
first African American coach in major league baseball—he remained relatively
unknown until the Ken Burns documentary.
Dozens of times in their travels
together Posnanski asked O’Neil, “How do you keep from being bitter?” People
all over America asked O’Neil that same question. And whether O’Neil was
talking with a cab driver, a journalist, a group of school children, or younger
ballplayers, his answer was always the same: “Where does bitterness take you?
To a broken heart? To an early grave? When I die, I want to die from natural
causes. Not from hate eating me up from the inside.”
Everywhere Buck traveled, from
small towns across the South and Midwest, to radio studios in New York City and
congressional committees in Washington, D.C., he always shined with positive
energy, optimism, and love. He made people happy. And he always wanted a hug – O’Neil
was a big hugger. Wherever he traveled, he ran into former ballplayers and
other people he knew. Everyone wanted to spend time with him.
What was the secret to Buck O’Neil? How could a man who, at the peak of his career, had his dreams denied unjustly on the grounds of racial prejudice, consistently exemplify grace and forgiveness and positivity? O’Neil never forgot the injustices, the restaurants that refused to serve them, the places where they were not wanted. But for Buck O’Neil, the good in life far outweighed the bad.
He had a grand time playing the game he loved with some of the best ballplayers of their time. He ate at some of the best barbeque joints in the world, and he knew where you could get a steak that melted in your mouth. He listened to the best jazz in America. He met Charlie Parker and Duke Ellington, who played in the hotels and smoky bars the players frequented. “People feel for sorry for me? Man, I heard Charlie Parker.”
After a life in baseball, O’Neil’s
mission became teaching people about the Negro Leagues and helping its players receive
the recognition they deserved. He promoted the Negro Leagues Museum in Kansas
City and argued the case for admitting the best of the Negro Leagues players to
the Baseball Hall of Fame in Cooperstown, New York.
When O’Neil traveled the country
with Posnanski, he was the last of the 1930s Kansas City Monarchs. All of his
teammates were long gone, uncelebrated, and Buck wanted to tell their stories to
whoever would listen. In one small town, a little place called Nicodemus,
Kansas, O’Neil spoke at the town hall and regaled those in attendance with
tales of Negro Leagues glory and the great players he played with and competed
against. During audience question time, a man asked O’Neil if he remembered him,
claiming he had once hit a home run off of the great Satchel Paige in a game
against the Monarchs. O’Neil smiled and said it was “good to see you again.”
Afterwards, Posnanski told O’Neil
it was remarkable he remembered the man. “I didn’t remember him,” O’Neil said
as he leaned back in a chair with his eyes closed. A few minutes later, he
added, “That guy didn’t hit a home run off of Satchel Paige. He’s too young.
When I played with Satchel, that was the 1940s, that guy couldn’t have been more
than five years old. He might not have even been born.” Posnanski asked O’Neil
why he pretended to remember the man. O’Neil once again showed the essence of
his grace: “In our beautiful memory, we were all handsome. We could all sing.
We all had the heart of the prettiest girl in town. And we all hit .300.”
After the demise of the Negro
Leagues, once the Major Leagues accepted integration, O’Neil worked as a scout
for the Chicago Cubs, traveling the American south in search of talented, Black
ballplayers. He discovered and signed future All-Stars Lou Brock, Lee Smith,
and Joe Carter, and found other diamonds in the rough, like Oscar Gamble. He observed
the game more comprehensively than other scouts. As Posnanski described while sitting
with O’Neil in the stands at Minute Maid Ballpark in Houston in 2005:
Buck watched everything—warm-ups,
batting practice, pitchers throwing in bullpens, on-field conversations. Buck
liked watching players jog in the outfield and he liked to see which player
retrieved the most baseballs at the end of batting practice. In baseball, Buck
said, anyone can spot the star. But the best scouts looked for the future star,
the starlet in a drugstore. And to find those, Buck said, a scout had to look
for small moments of grace.
O’Neil knew all the players who
transitioned from the Negro Leagues to the Major Leagues, and he knew all their
stories. Everyone, of course, remembers and celebrates Jackie Robinson, but another
Black player who signed a major league contract in 1947 was Willard “Sonny” Brown,
who signed with the St. Louis Browns. Unlike Robinson, who had the support of
most of his teammates and played for a really good team in a relatively liberal
part of the country, Brown’s teammates openly despised him. His manager rarely
spoke to him. Not surprisingly, he struggled during his short stint in the
majors, hitting only .179. After a month, he was sent back to the Negro
Leagues.
Of course, today no one remembers
Sonny Brown. But O’Neil had a story about Brown as important as that of
Robinson’s triumphant career. On August 13, 1947, the St. Louis Browns played
the Detroit Tigers in a double header. Brown did not start in either game, but
late in the second game, he was sent to pinch-hit against future Hall of Fame pitcher
Hal Newhouser. Because Sonny was not expecting to pinch hit, he quickly
borrowed the bat of Jeff Heath, the Browns’ most powerful slugger. Sonny
crushed the first pitch he saw to dead center field. The center field fence at
Sportsman Park was 428 feet away, and Sonny’s drive hit off the number “4”. Sonny
ran full speed and, by the time the ball reached the infield, he had an
inside-the-park home run.
But when Sonny made it back to
the dugout, he was met with silence. As he sat down, he watched as Jeff Heath took
the bat Sonny had borrowed and smashed it against the wall, a moment of pure
hatred. When O’Neil told this story to groups of school children, he always asked
them, “What is the lesson of that story? He hit a home run and the man broke
his bat. What is the lesson of Willard Brown?” Typically, the children sat in
silence, not sure what to say. O’Neil answered for them. “The lesson, children,
is that it wasn’t easy.”
The Baseball Hall of Fame first
admitted a few of the great Negro Leagues players in the 1970s—Satchel Paige in
1971, followed by Josh Gibson and Buck Leonard in 1972 and Cool Papa Bell and
Oscar Charleston a few years later. For years, O’Neil felt strongly that his
friend, Hilton Smith, who pitched for the Kansas City Monarchs, deserved Hall
of Fame honors. According to O’Neil, Smith was one of the greatest pitchers who
ever lived. Before he died in 1983, O’Neil promised Smith he would do
everything he could to get him into the Hall of Fame. It took eighteen more years,
but in 2001, O’Neil’s efforts paid off as the Hall of Fame veterans committee agreed
that Smith deserved recognition. After it happened, O’Neil visited Hilton
Smith’s gravestone in Kansas City. “Hilton, you’re a Hall of Famer,” he said.
“I wish he had lived to see that
day,” O’Neil told Posnanski. “He was a little sad at the end of his life, just
a little. Thought he had been forgotten. I wish he had lived to hear them say,
‘You were great. You were one of the greatest ever.’ But I’m sure he heard it.”
It was not until 2006 when the
Hall of Fame finally acknowledged just how comparable in talent the Negro Leagues
were to the Major Leagues in those days. After a comprehensive, MLB-funded
study into the history of Black baseball, a special committee of baseball
historians and scholars selected 12 additional Negro Leagues players and five
executives for admission. Although Buck O’Neil was on the list of 39 finalists
(out of 94 names initially considered), he was not among the inductees.
If O’Neil was disappointed, he
never let on. He was happy for the players who made it, for they had finally been
officially recognized as great players, equally deserving of the Hall of Fame
as were the great stars of the Major Leagues. These Black players who never had the
chance to play in the Major Leagues belonged in the same gallery as Babe Ruth
and Stan Musial, Lou Gehrig and Walter Johnson. For O’Neil, it was not only
about immortality, it was an apology. Most of these men were no longer alive
and would never know about the belated recognition. But for Turkey Stearnes,
Willie Wells, and Leon Day, who each received phone calls for which they had
waited a lifetime, thanks were owed to Buck O’Neil’s unyielding efforts over
the years.
O’Neil could not help but be disappointed
about not receiving the same recognition. It is difficult to imagine anyone more
deserving, anyone who had done so much for baseball and the Negro Leagues over
the course of his life. He died a little more than two months after Stearnes,
Wells, and Day received their phone calls.
Although he was admitted to the
Hall of Fame posthumously in 2022, it is easy to feel sad that O’Neil did not
receive the recognition when he was alive. But he would have dismissed anyone
who felt sorry for him. He played baseball because he loved it, and because the
Negro Leagues allowed him to make a difference in the world, to change the
world for the better. For O’Neil, as described by Posnanski, baseball in the
Negro Leagues was “a little bit rougher, a little bit sweeter, a little bit
faster, a little bit cooler, and a little bit more fun than anything Buck ever
saw in Major League baseball.”
Posnanski was with O’Neil when Buck
learned he had not been admitted to the Hall of Fame. Posnanski angrily said he
wanted to interrogate the committee members and ask if their hearts were still
beating. O’Neil ignored Posnanski’s outburst, and asked out loud, “I wonder if
they will ask me to speak?” Flabbergasted, Posnanski asked, “How could you
think about speaking there after they snubbed you like that?”
“It would give me a chance to
talk about these great players … to tell the story again,” O’Neil replied. Seeing
that Posnanski remained upset, Buck put his arm around him and said, “Think
about this, son. What is my life about?”
Buck O’Neil touched the lives of more people than I will ever meet. He opened our eyes to the struggles and pride of the men who played in the Negro Leagues. He helped those who at one time had their dreams crushed or doors slammed shut, feel happier about life and count their own blessings. He taught us that we go further in life with generosity and kindness than anger and hate. That is what his life was about, to help us see the good in people, and to hope and dream and live for a better world.






