Discovering Appalachia Through Fiction

The wonder is that you could start life with nothing, end with nothing, and lose so much in between. – Barbara Kingolver, Demon Copperhead 

Kafka once wrote, “In man’s struggle against the world, bet on the world.” In most avenues of life, this is depressingly true, for there are so many things beyond our control. Our life trajectories are mostly determined by the circumstances of our birth, the places we live, and the people we encounter along the way. It is not surprising, then, that these experiences and the cultural influences around us also shape how we perceive people and cultures that are different from our own.

For each of the past 35 years, I have driven by car to visit my mom (and dad until he died in 2015), in western North Carolina. When my dad retired in the early 1990s, my parents relocated from the DC suburbs of northern Virginia to the towns of Etowah, and then Fletcher, in the heart of the Blue Ridge mountains, a part of the Appalachian mountain range. It is a region of majestic beauty, with mountains and trees all around that surround small towns and villages, each with their own quaint character. To get there from Pennsylvania, I drive south on I-81, through a small slice of West Virginia, the Maryland panhandle, and the entire length of Virginia, finally weaving through northeastern Tennessee until I cross over the border of western North Carolina.

Most of the drive is in Appalachia, and as I pass through southwestern Virginia and cross into Tennessee, I witness the rugged beauty of the physical landscape. Occasionally, I catch a glimpse of trailer parks, rundown farmhouses, and pockets of poverty nestled into the mountainsides and valleys below. The people here speak with a rural, southern accent, and there is no doubt that some folks I have interacted with at gas stations and mini-marts along the way have historically had the terms “hillbilly” and “hick” applied to them.

For years, this scenic drive provided a brief respite from my busy, more cosmopolitan life in Washington, DC, and Philadelphia, and I often looked wistfully and admiringly at what seemed like a simpler lifestyle in this part of the world. But, if truth be told, I have occasionally harbored pre-conceived and unflattering notions about the people of rural Appalachia, prejudices reflected in snide remarks by an “educated” friend or colleague (or myself) that painted southern rural culture as backwards, bigoted, and unsophisticated. Indeed, if you pay close attention, you will frequently hear such sentiments reflected throughout American higher culture.

Conversely, the educated elites of coastal America are frequently disdained and perceived as arrogant snobs by people from other social classes. It is a stone that flies both ways, a vicious cycle that feeds misunderstanding and America’s political and social divides. But the more you get to know people, spend time with them, and learn about their struggles and life challenges, the more you understand that these stereotypes and assumptions are often false and tell you nothing about the character of the individuals involved.

I have written previously about how an artfully crafted book can help us “experience life from someone else’s shoes. To understand where other people come from, to learn of their dreams and aspirations, their hopes and fears, [and] expose our common humanity.” (See “An Act of Quiet Contemplation: Why Reading Matters”). Concerning Appalachia, I can think of no better example than Demon Copperhead by Barbara Kingsolver (Harper Perennial, 2022).

The Pulitzer Prize winning novel, which is modeled after Charles Dickens’ David Copperfield, explores themes of child poverty in rural America, the scourge of opioid addiction fueled by the pharmaceutical companies in the 1990s and early 2000s, and the economic and social challenges faced by the people of Appalachia following the decline of the coal industry, tobacco farming, and the timber trade. Kingsolver tells the story brilliantly with great humor and heartbreak. It is one of the best novels I have ever read, and has opened my eyes to the struggles, resilience, and resourcefulness of the people of Appalachia.

Kingsolver’s novel dives deep into the heart of Lee County, in the far southwestern corner of Virginia, which along with parts of eastern Kentucky and Tennessee, make up a section of the country that many have derisively called “flyover country” where the uneducated, uncultured “hicks” of America congregate. Before becoming one of the “cultural elite” as a successful author of ten critically acclaimed novels, Kingsolver was herself born and raised in a small Appalachian town in eastern Kentucky. She understands viscerally the people and culture of the region and knows first-hand the wide-spread and subtle prejudices people from other parts of the country entertain about the people she grew up with (and currently live among).

The protagonist and narrator of Demon Copperhead is Damon Fields, born to a single, teenage mother in a trailer home. We learn quickly that Damon, who everyone calls “Demon,” began life way behind the starting gate, his mother struggling with opioid and alcohol addictions and his father having died by accidental drowning in a local watering hole months earlier. Kingsolver sets Demon’s trajectory early in the novel, describing how Demon was born, fighting his way from his mother’s womb as she lay passed out on the bathroom floor of her mobile home. Demon’s narration implies we should not be surprised how this story progresses:

…If a mother is lying in her own piss and pill bottles while they’re slapping the kid she’s shunted out, telling him to look alive: likely the bastard is doomed. Kid born to the junkie is a junkie. He’ll grow up to be everything you don’t want to know, the rotten teeth and dead-zone eyes, the nuisance of locking up your tools in the garage so they don’t walk off, the rent-by-the-week motel squatting well back from the scenic highway. This kid, if he wanted a shot at the finer things, should have got himself delivered to some rich or smart or Christian, non-using type of mother. Anybody will tell you the born of this world are marked from the get-out, win or lose.

In his early years, Demon spends time with the Peggots, the kind family next door who take Demon in and provide him with stability until his mother recovers sobriety. Later, when Demon is back with his mom, she has married Stoner, a mentally and physically abusive trucker who makes Demon’s life miserable until Demon’s mother dies of an oxycontin overdose. The rest of Demon’s childhood is a tale of survival and neglect; of an overburdened child protection agency that places him in exploitative and abusive foster homes, his case assigned and re-assigned to social service workers who are underpaid and overworked and who lose files and don’t conduct proper follow-up. “I thought my life couldn’t get any worse,” he says at the age of ten. “Here’s some advice: Don’t ever think that.”

Demon’s first placement is at Creaky Farm, owned by a cranky and neglectful tobacco farmer who takes in foster kids for the $500 monthly payments from the state, which he uses to pay his debts while barely feeding the kids and making them work for free (and miss school) tending to his small tobacco farm, a dangerous and backbreaking form of hard labor that I knew nothing about until reading this book. A year later, the state places Demon with the McCobbs, a neglectful family that has Demon sleep in the dog’s room in the basement. Mr. McCobb insists that Demon must help with expenses (he is eleven), and he finds work for Demon at a local gas station, whose owner lets Demon snack on the junk food and hot dogs in the station mini-mart. But Demon’s labor is needed for the garbage disposal business run behind the station. Demon’s job is to dig through the dirty, filthy trash bags in the dumpsters to salvage anything that could be useful or valuable for the operators of a suspected meth lab next door. When Demon later discovers that his foster parents have been keeping all of Demon’s money earned at the gas station, he steals the money back and runs away.

Although much of the story is dark and depressing (made more so because you really care about and root for Demon), it contains doses of wry humor. In an implicit nod to David Coppefield, Demon references Charles Dickens, an author he discovered in school. Dickens, he says, is “one seriously old guy, dead and a foreigner, but Christ Jesus did he get the picture on kids and orphans getting screwed over and nobody giving a rat’s ass. You’d think he was from around here.”

And there are moments of hope and uplift when Demon is finally getting his life on track. When he runs away from the McCobbs, he makes it (after being robbed along the way) to Murder Valley, Tennessee, the birthplace of his father,  whom he never met and knew little about. There, we meet Demon’s paternal grandmother, Betsy Woodall, a hardy, no-nonsense woman who lives with her disabled brother Dick, a kind and wise man who bonds with Demon. Betsy passionately believes in education and, upon learning of Demon’s circumstances, contacts the football coach of the Lee High Generals, who agrees to take Demon in and look after him. So, back to Lee County Demon goes. Although Coach is a flawed man and struggles with alcoholism, he has a nice house with a housekeeper and recognizes Demon’s potential as a football player.

High school football, as anyone who knows anything about America, is all the rage in southwestern Virginia (and throughout the south and Midwest), and for a brief couple of years, Demon becomes the star tight end for the high school football team. He is no longer society’s loser. He becomes popular and, for once in his life, is someone who counts. But when Demon severely injures his knee playing football during his sophomore year, the team doctor puts him on oxycontin to help with the pain. “What’s an oxy,” Demon asked the doctor. Back then, Big Pharma was marketing oxy as a shiny new miracle drug.

OxyContin, God’s gift for the laid-off deep-hole man with his back and neck bones grinding like bags of gravel. For the bent-over lady pulling double shifts at Dollar General with her shot knees and ADHD grandkids to raise by herself. For every football player with some of this or that torn up, and the whole world riding on his getting back in the game. This was our deliverance. The tree was shaken and yes, we did eat of the apple.

Before long, Demon becomes addicted to pain killers, an addiction not at all helped by his girlfriend, Dori, whom he met while working at her father’s farm store. What starts out as a sweet high school romance soon develops into a darker story of mutual addiction, as Dori’s own abuse of fentanyl and other drugs propels Demon in an even worse direction, until they are both hard core drug addicts. For me, this was where I had to put down the book occasionally, as Kingsolver credibly describes the sickness and suffering an addict goes through, and the resulting desperation to do what is necessary (i.e., finding a new supply of pills) to alleviate the sickness and pain. The drug high becomes irrelevant and leads eventually to tragic consequences.

Somehow, Demon survives against the odds, for buried within his soul was a hint of optimism: “I got up every day thinking the sun was out there shining, and it could just as well shine on me as any other human person.” And that may be the most inspiring aspect of the novel, a tale of resilience, resourcefulness, and survival. Demon, who could have given up and drowned in the ocean of neglect, abuse, addiction, and self-inflicted wounds, somehow stays afloat, reaches shore, and lives to talk about it.

Throughout the story, Demon’s biggest obstacle in life is his lack of self-esteem. “You get to a point of not giving a damn over people thinking you’re worthless,” he says at one point in the novel. “Mainly by getting there first yourself.” He considered himself a “low life” in part because he had heard messages all his life telling him that he and others like him were society’s losers. When people call you a “hick” and “redneck” and laugh at you enough times, you begin to believe it. “You get used to it, not in the good way,” says Demon, as the world oftentimes feels “like a place where you weren’t invited.” But Demon offers a word of advice: “This is what I would say if I could, to all the smart people of the world with their dumb hillbilly jokes. …We can actually hear you.” 

Although Demon correctly perceives America’s condescending derision, he is wrong about his own worth. Fortunately, there are people at various points in Demon’s life who see his full potential as a human being and try, with differing degrees of success and failure along the way, to help him. The novel introduces us to terrific characters that show the rich diversity of Appalachia. Demon gains the notice of two teachers, Lewis and Annie Armstrong, an interracial couple who take a liking to him. Lewis Armstrong is a highly educated Black man from Chicago who teaches middle school English. He first came to Appalachia as part of the Volunteers in Service to America (VISTA) program, where he met Annie, a “hippie” high school art teacher who recognizes Demon’s exceptional talents as a comic sketch artist. Ironically, Mr. Armstrong attempts to teach the middle school kids about the history of the region (one tidbit I did not know: Lee County fought for the Union during the Civil War) to help them counteract the stereotypes and ridicule that are societally apportioned to Appalachia’s mostly poor, white students. Annie, meanwhile, nurtures and develops Demon’s gifts as an artist, and recognizes his potential for greatness.

We also get to know the coach’s daughter, Angus, a wise soul who avoids all the bad temptations and influences of the high school while taking her education seriously, and she offers Demon positive encouragement and support, becoming his most trusted friend. There is also Tommy Waddell, a fellow orphan who Demon first meets at Creaky Farm, a kind and gentle boy who reads books and shows Demon what resilience and self-reliance are all about, eventually becoming a copy editor at the local newspaper. Finally, the conscience of the novel is the Peggots’ daughter, June Peggot, an intelligent and resolute nurse who resists the irresponsibility and criminality of the pharmaceutical industry’s drug pushing and the medical establishment’s complicity. June has witnessed far too many overdoses, suicides, and fatal accidents as an emergency nurse in Lee County and repeatedly warns, mostly to deaf ears, about the dangers of opioids.

Kingsolver writes credibly about the horrific struggles of opioid addiction and the troubled state of child protection services, with overworked and underpaid case workers. The system’s failures result in thousands of children in need overlooked and forgotten, and nobody seems to care. These are real problems that continue to persist today. She explains how Purdue Pharma targeted and exploited Appalachia to push OxyContin and fentanyl, intentionally taking advantage of a region where people were frequently injured and in pain due to work-related injuries from mining coal, farming tobacco, and other back breaking labor.

But Kingsolver also helps us better understand a region that values community, resourcefulness, and neighbors who look after each other. When someone dies, neighbors chip in, make meals, and give shelter to those in need. Women get together and make quilts for girls who are pregnant. Everyone knows everyone else, and for all its bad connotations, they know when someone is hurting.

In David Copperfield, Dickens’ protagonist had asked “whether I shall turn out to be the hero of my own life.” In Demon Copperhead, Kingsolver suggests that, when you are a child born into a life without choices, being a hero consists simply of surviving against all odds. In the end, Demon Copperhead is a hopeful story, best summed up by Demon’s resilience:

I've tried in this telling, time and time again, to pinpoint the moment where everything starts to fall apart. Everything, meaning me. But there's also the opposite, where some little nut cracks open inside you and a tree starts to grow. Even harder to nail. Because that thing's going to be growing a long time before you notice. Years maybe. Then one day you say, Huh, that little crack between my ears has turned into this whole damn tree of wonderful.

It would be difficult to imagine anyone coming away from this book without a heightened sense of empathy and compassion for those born without the advantages that many of us take for granted. Although a piece of fiction, Demon Copperhead allowed me to feel more connected to the common humanity all of us share. The need for empathy to better understand and relate to the people of Appalachia applies equally to the struggling poor of our inner cities, to the undocumented immigrants trying to survive in a version of America hostile to their existence, and to the many broken communities throughout the United States that have lost their way, victimized by globalization, the loss of manufacturing, rising inequality, and all of the things that leave some people behind while the rest of us go on with our lives. Before we judge others too harshly, we should strive first to understand from where they come, the challenges they face, and the struggles they have overcome.